On whether or not she felt more appreciated in Europe for her last album:
"No, not really. People still compare me to Bey over there. I said in an interview recently, ‘You know, if you guys would be a little bit more intelligent and ask me about myself we'll have a much better interview. You cannot want a story from me and keep asking me about the past".
Entertainment Weekly: Her third solo album, Here I Am, proves that Ms. Rowland is doing just fine on her own, thank you; it’s a solid if unambitious set of medium-hot finger snappers highlighted by the lusciously slinky top 20 hit “Motivation” and the robo-groove of “I’m DAT Chick,” on which she brags, “Yeah, I be the one that they love to mention.” If she learns to take a few more risks, that may just end up being true. B
USA Today: As it turns out, Here I Am is something both safer and cannier than that. Capitalizing on her successful collaboration with producer/DJ David Guetta—with whom she teamed two years ago on the international dance hit “When Love Takes Over”—Rowland emphasizes electro-savvy grooves and sleekly sensual production over introspection or chutzpah. 2.5/4
The New York Times: But Here I Am is something much more confident and more surprising. It’s a chewy and moody R&B album on which Ms. Rowland sounds assured and vital. Or, at minimum, is made to sound that way.
Los Angeles Times: She does herself no favors by choosing consistently bland material, and her third album does nothing to dispel the sense that Rowland should be more selective. There’s a deflated, defensive quality to Here I Am, starting with the lead track, “I’m DAT Chick.” 1/4
The Washington Post: Her third solo album, the perfectly likable, club-centric R&B outing Here I Am, won’t convince anyone that Rowland has a personality, but luckily for her, she no longer needs one: Call it the Attack of the Rihanna Clones, but these days killer beats and a flat affect trump all. Rowland, free of the need to actually be interesting, makes the most of it.
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